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920 s, renkli resimler, sert kapak ciltli, İngilizce, Fransızca ve Türkçe makaleler.

TABLE OF CONTENTS
 
  • Foreword (Minister of Culture and Tourism, Republic of Turkey)
  • Introduction (Prof. Dr. Fr. François Déroche)
  • Foreword (Prof. Dr. Zeren Tanındı) 
  • ICTA Committees 
 
  • YENİŞEHİRLİOĞLU Filiz (Ankara)  A digital Database for Tiles at the Topkapı Palace Museum storage rooms.
  • ADIGÜZEL, Hatice (Istanbul), A Local Interpretation of Westernization in Ottoman Architectural Ornamentation: Said Afandi Al-Quwatli House in Damascus . 
  • AĞIR, Aygül (Istanbul), Osmanlı Imparatorluğu ve İtalyan Devletleri Arasında Mimari Malzeme Değişimi (16. ve 17.Yüzyıl)
  • AKAR, Tuba (Mersin), Architecture in the Paintings of Turkish Bazaar Painters
  • AKKAYA, Arzu (Istanbul), The Reflection of 19th and 20th Centuries Art Styles on Ottoman Art Journals
  • ALPAGUT, Leyla (Gölköy/Bolu), History, Culture, Art and Architecture for Arif Hikmet Koyunoğlu
  • ALPASLAN ARÇA, Sibel (Istanbul), Ayasofya Müzesi, Şehzadeler Türbesi’nde Tespiti Yapılan Tekstil Buluntuları
  • ÁLVAREZ DOPICO, Clara Ilham (Valencia), Les carreaux de céramique des ateliers tunisois: la formation d’un art turquisant en opposition aux influences européennes 
  • AOKI GIRARDELLI, Miyuki (Istanbul), Léon Parvillée’s early years in Istanbul: Cezayirlioğlu Mansion and the Church of Surp Krikor Lusavoriç in Kuzguncuk
  • APOSTOLOU, Irini (Athens), La présence de l’Empire ottoman dans le fonds photographique de la Société de Géographie de Paris
  • ARTAN,Tülay (Istanbul), Two Artists, One Vantage Point Pera/Istanbul in the 1740s.
  • ATBAŞ, Zeynep (Istanbul), Osmanlı Aydını Mehmed Emin Efendi ve Murakkaları. 
  • ATLIHAN, Şerife (Istanbul), 19. Yüzyılda Megri (Fethiye) Halılarında Bitkisel Motifler .
  • BABAOĞLU-BALKIŞ, Lale (Istanbul), Traugott Fuchs: A romantic in the Orient. Istanbul as portrayed through the eyes of a German émigré scholar. 
  • BATUR, Afife (Istanbul), A British architect in Istanbul: William J. Smith and the Taşkışla Imperial Barracks of Mecidiye.
  • BAYRAKTAROĞLU, Suzan (Istanbul), Gelenek ve İnançla oluşan Koleksion.
  • BIÇER-ÖZCAN Şehnaz (Istanbul), The Header decoration in some Uighur Gold Leafs: as analytical Approach on floral samples of 8th-11th Centuries. 
  • BIEDRONSKA-SLOTA, Beata (Cracow), Turkish Carpets in Poland. Their Traditional meaning and significance for Polish Art. 
  • BOUCHON, Chantal (Paris), Adalbert de Beaumont en Turquie. Textes et images autour de 1840.
  • BOULANGER, Patrick (Marseilles), Hugo d’Alési, le père de l’affiche touristique, entre Orient et Occident .
  • BROILO, Federica A. (Mardin), Copies and originals: some little known Italian imitations of ottoman pottery in the Albrizzi Collection.
  • BUTTAY, Florence (Bordeaux), Les dessins de Giorgio del Giglio « Pannilini » entre Orient et Occident. 
  • CAIOZZO, Anna (Paris), Rêves célestes: quelques notes relatives à la représentation des cieux du monde seldjoukide au monde ottoman. 
  • ÇAKIR-PHILIPP, Filiz (Berlin), A Question of Protectoral Function - Form and Ornament of a Special Group Armour in the Museo Stibbert, Florence. 
  • ÇAL, Halit (Ankara), Animal style in Turkish Door Handles.
  • CANAV-ÖZGÜMÜŞ, Üzlifat (Istanbul), Ottoman Glass finds from Marmaray Excavations at Sirkeci. 
  • CARSWELL, John (London), Collecting Kütahya two pioneers: Ralph Brocklebank & Alexandre Benaki.
  • CEPHANECIGIL, Gül (Istanbul), Osmanlı Camilerine Rasyonel bir Bakış: Alphonse Gosset ve “Istanbul’un Eski Kilise ve Camileri”. 
  • DEMIRSAR ARLI, Belgin (Istanbul), Depictions of “Nalın-ı Şerif ” (Holy Patten) on Ottoman tiles . 
  • DUMAS, Juliette (Istanbul), Construire envers et contre tous. Le patronage architectural des princesses ottomanes face aux critiques politiques (XVIe-XVIIIe siècles). 
  • DÜNDAR, Abdulkadir (Ankara), Osmanlı Mimarisinde Mimar Ağalar ve Defterleri. 
  • DUTOIT Christophe & MAURON, Christophe (Bulle), Girault de Prangey, auteur des plus anciennes photographies connues d’Asie Mineure et de Constantinople (1843) .
  • ERKMEN, Aslıhan (Istanbul), Sultan Portraits of Ashik Chelebi’s Mesha’ir al-Shu’ara.
  • ERSEN, Leyla (Istanbul), Criticism of Orientalism through the Example of Artworks by contemporary Turkish feminist artists; Nil Yalter, Şükran Moral and Gülsün Karamustafa. 
  • FRANÇOIS, Véronique (Aix-en-Provence), European Pottery Imports in Ottoman Bilad al-Sham (18th-19th centuries): Archaeological Data and Written Sources. 
  • GAUTIER, Antoine & DU CHALARD, Louis (Paris), Le relevé du panorama de Constantinople du peintre Pierre Prévost (1764-1823).
  • GERMANER, Semra (Istanbul), Les peintres et les pachas.
  • GILET, Annie (Tours), Une galerie ottomane à Rome de 1787 à 1790: l’atelier de Louis-François Cassas (1756-1827), Piazza di Spagna.
  • GIRARDELLI, Paolo (Istanbul), Ottoman roots, European developments: comparing the French and Venetian palaces in Beyoğlu. 
  • GÖK GÜHRAN, Sevinç (Izmir), XVI. Yüzyıl Seramik Sanatında Yeni Formlar Yeni Süslemeler; Manisa Gülgün Hatun Hamamı ve Balat İlyas Bey Külliyesi Kazı Buluntuları 
  • HAMADEH, Shirine (Houston Texas), Aesthetics of Novelty in 18th Century Istanbul. 
  • HARTMUTH, Maximilian (Istanbul), The visual strategies of late Ottoman provincial strongmen and the problem of the didactic use of images in Islam. 
  • IBRAHIMGIL, Mehmet Z. (Ankara), Stèles funéraires de l’époque ottomane sur l’île de Rhodes.
  • IŞLER, Bülent (Ankara), Bakü, Şirvanşahlar Sarayı.
  • KANETAKI, Eleni I. (Roma), Tracing the Ottoman Architectural Character of the Turkish Baths in the Greek Lands 
  • KAYA, Şennur (Istanbul), Fenerbahçe Çini ve Porselen Fabrikası.
  • KESKINER, Bora (London), Sultan Ahmed III’s Calligraphy on Tekfur Sarayı Tiles.
  • KRODY, Sumru Belger (Washington), Tulips to Roses: Rethinking Ottoman Turkish Embroidery.
  • KULA SAY, Seda (Istanbul), A post-1908 project of Vallaury: customs house in Thessaloniki. 
  • KUNDAK, Ali Nihat (Istanbul), The influence of European figures on the miniatures of “Tercüme-i ‘İkdü’l-cümân fî târîh-i ehli’z-zamân”.
  • LE THIEC, Guy (Montpellier), “The Great Turk in All His Greatness”: Iconography and Cultural Stakes of the portraits of Süleyman Ist in Renaissance Europe . 
  • MAHIR, Banu (Istanbul) & YILDIZ Netice (Cyprus), An Illuminated “Mathnawi al-Ma’nawi” of Jalaladdin al-Rumi Kept in the National Archive of the Turkish Republic of Northern Cyprus .
  • MAJER, Hans Georg (Munich), An Extraordinary, Illustrated, Ottoman “Silsilenâme” from the Reign of Ahmed I (1603-1617) 
  • MAURY, Charlotte (Paris), Remarques sur la céramique architecturale d’époque ottomane à Damas .
  • MAZLUM, Deniz (Istanbul), Osmanlı Arşiv Belgeleri Işığında 18. Yüzyıl Osmanlı Mimarlığında Avrupa Kökenli Malzeme Kullanımı.
  • MORONVALLE, Jeff (Amiens), La miniature turque et la gravure de mode française au siècle des Lumières. L’exemple du “Recueil Ferriol” (Paris, 1714). 
  • MOUSSA, Sarga (Lyon), Le regard d’un artiste français sur l’Égypte ottomane. Le voyage en Orient de Frédéric Goupil- Fesquet (1839-1840).
  • ÖNKAL, Hakkı (Izmir), Thoughts on podiums (seki) in buildings referred to as imaret-zawiyah and in front of mihrab niches in mosques. 
  • ORLANDI, Luca (Istanbul), An Italian pioneer on Ottoman architecture studies in the Dodecanese Islands: Hermes Balducci (1904-1938).
  • ÖZBIYIK, Kadriye (Istanbul), Le Trésor des Ambassadeurs du Palais de Topkapı. 
  • ÖZEL, Mehmet Kerem (Istanbul), An Evaluation of the Design of Turkish War Memorials in the Context of Architecture-Sculpture Relationship . 
  • ÖZER, Mustafa (Istanbul), Edirne Yeni Saray’ın Avadis Benliyan tarafından Hazırlanan 1905 Tarihli Vaziyet Planı Hakkında Düşünceler. 
  • ÖZKARCI, Mehmet (Kahramanmaraş), Niğde Türbelerinin Türk Mimarisindeki Yeri ve Önemi .
  • ÖZKÜL FINDIK, Nurşen (Ankara), Unglazed Pottery (Impressed) Production in a Medieval City, Hasankeyf. 
  • PALUMBO-FOSSATI-CASA, Isabella (Amiens), Gaspare et Giuseppe Fossati, architectes et peintres à Constantinople (1837-1857).
  • PAPP, Adrienn (Budapest), The position of the buildings of Buda and Pest dating to the age of the Turkish Occupation of Hungary in the architecture of the Ottoman Empire.
  • PAQUOT Gérard, QUEYREL François, ZAMBON, Alessia (Paris), Une vue “pittoresque” de quelques antiques de la collection Choiseul-Gouffier à Constantinople .
  • PEKTAŞ, Kadir (Pamukkale) & BAŞ, Gülsen (Van), Bitlis Kalesi Kazısı’nda Ele Geçen Avrupa Bağlantılı Buluntular.
  • PELVANOĞLU, Burcu (Istanbul), The art scene in Paris and Istanbul between to World Wars: interactions.
  • PFEIFFER-TAŞ, Şule (Ankara), The Coin Hoard of Ottoman Emir Süleyman in Tire Museum
  • PIERRE, Marie-Liesse (Strasbourg), François-Marie Rosset (1743-1824). Peintre voyageur en Turquie d’Asie, 1781-1782 .
  • PINGUET, Catherine (Paris), Abdullah Frères (1858-1899). 
  • PINON, Pierre (Paris), Albert Gabriel et l’architecture turque
  • ŞAHIN TEKINALP, Pelin (Ankara), Palais du Trocadéro in Ayntab/Antep
  • SCHUCKELT, Holger (Dresden), The Turkish Chamber (Türckische Cammer) of the Electors of Saxony.
  • SEÇKIN Selçuk (Istanbul), Yalova Castles .
  • SERVANTIE, Alain (Brussels), Sur la « Description de la court du Grant Turc » de Peter Coecke d’Alost .
  • SINANLAR USLU, Seza (Istanbul), Hippolyte Dominique Berteaux and his journey to Istanbul in 1870’s.
  • SÖNMEZ, Zeki (Istanbul), Sinan Öncesi Osmanlı Mimarlığında Usta – Çırak – Baba – Oğul İlişkisi üzerine bir Üçleme 
  • SOUSTIEL, Laure (Aix-en-Provence), Three Armenian tiles from Kütahya to Jerusalem.
  • STANKOVA, Lilyana (Paris), Ottoman Motifs in Christian Art in the Balkans (16th-17th centuries): Manuscripts and Metalwork 
  • Szántó, Iván (Budapest), The Topkapı Saray Albums and Some Early Photographs in Budapest.
  • TEZCAN, Hülya (Istanbul), Some Observations on Ottoman Era Cotton Weaving in Diyarbakır.
  • TEZCAN, Turgay (Istanbul), Special Weapon Examples of Gifts Given to the Ottoman Palace through the Sultans’ Orders and the Diplomatic Gifts of European Emperors
  • TOPALLI, Elvan (Bursa), Jan Matejko’s Days in Istanbul and his Istanbul works
  • TOPÇUBAŞI, Mine (Çanakkale), Istanbul’daki Taşkışla Binasının 1853 Tarihli Keşif Defteri.
  • TÜRKANTOZ, Kayahan (Istanbul), The Reflections of the socio-cultural changes on the Turkish Tomb design of the Republican Era
  • ULUÇ, Lâle (Istanbul), The Representation of the Execution of the Safavid Begum from the Ottoman Historian Mustafa Ali’s “Nusretname”. 
  • ÜNALAN, H. Sibel (Aydın), Tarsus-Pozantı Kervan Yolu ve bu Yol üzerindeki Hanlar üzerine bir Değerlendirme
  • ÜSTÜNIPEK Mehmet (Istanbul), Documents on Turkish Painting exhibition in the International exhibition of UNESCO in1946: Turkish painting’s reconnection with Paris and its results .
  • ÜSTÜNIPEK, Şeyda (Istanbul), Documents on Léopold Lévy’s Istanbul period (1936-1950). 
  • UYSAL, Ali Osman (Çanakkale), Akköy: un centre de céramique peu connu de l’époque des Beylicats .
  • VON KEMNITZ, Eva Maria (Lisbon), Portugal and the fashion of Turqueries.
  • YAKUSHKINA, Ekaterina (Moscow), Ottoman Imperial Style in Yemen Architectural Heritage. Problems of identification.
  • YAVUZ, Yıldırım (Ankara), European and local aesthetic influences on early modern Turkish Architecture. 
  • YAZICI METIN, Nurcan (Istanbul), An Example of Ottoman Architecture in the Balkans. The Government office building in Thessaloniki. 
  • YILMAZ, Leyla (Ankara), The Churches of late Ottoman period in Alanya
  • YOLTAR YILDIRIM, Ayşin (Cambridge), Codicology and illuminated endowment deeds of royal Ottoman women from the seventeenth to the nineteenth centuries 
  • ZAMBON, Alessia (Paris), From Constantinople to Paris: the difficult « repatriation » (1787-1817) of the Choiseul-Gouffier collection

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